In the very same concert, Strauss conducted a second work - ‘Also sprach Zarathustra’. Also sprach Zarathustra prepares to take its leave and the orchestra ascends towards the outer reaches of the cosmos. Also sprach Zarathustra (Thus Spoke Zarathustra), one of the high points of Strauss' early career, was completed in the summer of 1896 and premiered in November of the same year. Later applications include sporting events, such as the adaptation by the Mighty Sound of the Southeast marching band at the Gustav Mahlers 3. Bewegt — Das Grablied. He defies gravity and refuses to be unseated. Price € 19.99 – € 27.49: Qualities: Channels: Clear: Original Recording Format: DSD 64. Throughout Also sprach Zarathustra, C major symbolises the mysteries of the natural world while B (major and minor) becomes associated with humanity. As he wrote, Strauss’s intellectual engagement with the philosophy of Friedrich Nietzsche inched him towards discovering sounds that felt germane and appropriate. God remains dead. Also Sprach Zarathustra (Thus Spake Zarathustra) is a tone poem composed by Richard Strauss in 1896 (named after the book by Friedrich Nietzsche).The melody of the "Sunrise" movement is undeniably epic, so it's a perfect way to tell the audience, "This is where you're supposed to be impressed.". I would challenge someone to listen to Beethoven's 5th or 9th, Swan Lake, Also Sprach Zarathustra, a Mahler symphony, etc. 7. Symphonie (Uraufführung 1902) verarbeitet im 4. Was this recording, as was widely reported at the time of its release, really Dudamel’s job application to replace Rattle in 2018? There is plenty of grace; but something about the stentorian tone Strauss extracts from the VPO puts you in mind of the preacher-man compressed concentration of Nietzsche’s prose style. Inspired by Friedrich Nietzsche's novel of the same name, the initial fanfare became very famous after appearing in Stanley Kubrick's film "2001: A Space Odyssey". Strauss gestures us in by dramatising the raw physics of the harmonic series. Jhd. Sing Unto The Lord. But Nelsons’s approach anyway feels immediately more nuanced, insightful and less eager to impress. Richard Strauss: Also sprach Zarathustra Tondichtung frei nach Friedrich Nietzsche für großes Orchester op. A guide to Strauss’s Also sprach Zarathustra, Click here to subscribe to BBC Music Magazine, The best opera recordings released on CD and DVD in 2021 so far, Six of the best: pieces of classical music for Easter. Also sprach Zarathustra; Kurzinhalt. Karajan’s strings never swoon and don’t decorate the air; during ‘Das Grablied’ (‘The song of the grave’) the rising first violins seemingly glide from out of the body of the orchestra, their softness cutting through the ensemble with considerable robustness. Strauss’s compositional manipulation of the harmonic series gives us tempting glimpses of the thing itself – the sonic magma from which tonality is built – and predates the spectral harmonies of Iancu Dumitrescu and Horațiu Rădulescu by at least six decades. Arctic Night (Grade 5, list B1... A. Ponchielli. 30 is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical 1883-1885 novel Thus Spoke Zarathustra. Save when you subscribe today and get your magazine + CD delivered direct to your door from the UK! The fugues have extraordinary ascetic gravitas and the alert, driven NYPO woodwinds exist in another world from our usual view of Strauss. With more patches than the cloakroom of a Mayfair gentlemen’s club – and with the organ part inelegantly dropped on later – this grimly determined reading is heavy going. Also sprach Zarathustra (Untertitel Ein Buch für Alle und Keinen, 1883–1885) ... Der Komponist Richard Strauss schuf eine gleichnamige sinfonische Dichtung, die 1896 uraufgeführt wurde. It was covered by Ray Conniff and The Singers, The Roto Rooter Good Time Christmas Band, Jeff Autry - Wayne Benson - John Cowan - Randy Kohrs - Jim VanCleave - Scott Vestal, Sandro and other artists. Strauss keeps the structure taut to the point where you wish he would lend the final pages a little more breathing space, and the recording bunches Strauss’s multi-layered textures into a compacted middle range that proves unforgiving. That would match every other article (a couple dozen) that appends his name. Gramophone is part of Also sprach Zarathustra (Op. Also sprach Zarathustra Ein Buch für Alle und Keinen Inhaltsverzeichnis Erster Theil Zarathustra's Vorrede Die Reden Zarathustra's Von den drei Verwandlungen Von den Lehrstühlen der Tugend Von den Hinterweltlern Von den Verächtern des Leibes Von den Freuden- und Leidenschaften Vom bleichen Verbrecher Vom Lesen und Schreiben Vom Baum am Berge It was covered by Freddie Starr, Ray Conniff and The Singers, The Roto Rooter Good Time Christmas Band, Jeff Autry - Wayne Benson - John Cowan - Randy Kohrs - Jim VanCleave - Scott Vestal and other artists. Strauss’s tone-poem may have been hijacked by the movies but there’s far more to the score than that famous sunrise, argues Philip Clark, as he seeks the finest recording. Richard Strauss’s tone poem, Also Sprach Zarathustra, takes its name from the work by Friedrich Nietzsche. Strauss's famous sunrise opening of Also sprach Zarathustra is rather better known than the book which inspired it: Nietzsche's dense, philosophical novel of the same name. Its sunrise theme became hugely popular after its use in the 1968 Stanley Kubrick film, 2001: A Space Odyssey. Sign in to manage your newsletter preferences. 30 Entstehung: Februar 1894 bis August 1896 Uraufführung: 27. 1 Einleitung 2 Inhaltliche Darstellung der Vorrede 3 Darstellung zentraler Thesen 3.1 Der Übermensch 3.2 Der letzte Mensch 3.3 Die drei Verwandlungen des Geistes 4 Schlussbetrachtung Date / Artists Record company (review date), 1935 Boston SO / Koussevitzky RCA 29026 60929-2 (2/36R, 11/92), 1950 VPO / Krauss Testament SBT1183 (1/51R, 10/00), 1954 Chicago SO / Reiner RCA 88697 68699-2; 88697 71287-2; Sony 88697 71263-2 (11/55R, 4/93R), 1958 Concertgebouw Orchestra / Mitropoulos Orfeo C458 971B, 1959 VPO / Karajan Decca 466 388-2DM (8/59R, 5/00), 1962 BPO / Böhm Testament SBT2 1489 (4/14), 1970 New York PO / Bernstein Sony SMK47626, 1971 Staatskapelle Dresden / Kempe EMI 678312-2; Warner 431780-2; Brilliant 7591 (10/73R), 1971 Boston SO / Steinberg DG 463 627-2GOR (2/72R), 1973 BPO / Karajan DG 447 441-2GOR (1/96); 474 281-2GX2, 1976 Bavarian RSO / Leitner Orfeo C555 011B, 1983 BPO / Karajan DG 439 016-2GHS (8/84R), 1983 VPO / Maazel DG 427 821-2GDC (4/90 – nla), 1987 RSNO / N Järvi Chandos CHAN10206 (3/88R), 1987 New York PO / Sinopoli DG 478 5412GB; Eloquence 480 0411 (9/88R), 1988 Cleveland Orch / Ashkenazy Decca 425 942-2DH (11/90 – nla), 1988 Cologne RSO / Bertini Capriccio C71125; C7136, 1988 Slovak PO / Košler Naxos 8 553244; 8 550182, 1995 San Francisco SO / Blomstedt Decca 478 4254DM2 (7/98R), 1996 BPO / Solti Decca 452 603-2DH (5/97), 1997 Dallas SO / Litton Delos DE3225 (12/98), 2002 Düsseldorf SO / Fiore Hänssler CD98 476, 2012 CBSO / Nelsons Orfeo C878 141A (7/14). Thus Spoke Zarathustra: A Book for All and None (German: Also sprach Zarathustra: Ein Buch für Alle und Keinen, also translated as Thus Spake Zarathustra) is a philosophical novel by German philosopher Friedrich Nietzsche, composed in four parts written and published between 1883 and 1885. A. M. Beach. Old impulses prove impossible to extinguish. After such an introduction where is there left to go? RICHARD STRAUSS “Also sprach Zarathustra” ROBBIE WILLIAMS “Let me entertain you” GYPSY KINGS “Baila me” BRUCE SPRINGSTEEN “Born in the USA” DAVID GARRETT feat. This performance cakes itself in mythology: of both Karajan and Kubrick. Nietzsche’s 1883‑85 book Also sprach Zarathustra was a meditation upon man’s place within the cosmos. Topics proyect, UPNA. The opening two minutes of the "Also Sprach Zarathustra" contained here is certainly among the most widely-heard classical fragments ever, having been used in Stanley Kubrick's saga "2001." Notes. Strauss had early on disavowed the section headings in Also Sprach Zarathustra, stating that the piece was in no way intended to be programmatic, and that it was purely an expression of his inspiration drawn from the literary work. He went on to compose a series of increasingly ambitious tone poems including Also Sprach Zarathustra. are just moving because of the notes? This article was originally published in the 2014 Awards issue. Richard Strauss' iconic opening to Also Sprach Zarathustra evokes a sense of vastness and power, Marin Alsop says. The phosphorescence of the VPO strings floats above the vinyl pops and crackle, and no orchestra at this time could have been better placed to portray the Viennese waltz section – idiomatic doesn’t even begin to describe the VPO’s lead violinist. By now a pattern is emerging. Kubrick’s borrowing of Strauss’s orchestral introduction to underscore the opening of his 1968 film 2001: A Space Odyssey – the scene is set as the sun rises from behind the earth – remains one of the single most inspired link-ups between sound and imagery in cinematic history: good for film buffs but with unfortunate and unintended consequences for our understanding of Strauss’s music. Dadurch entsteht ein fast religiös-heilsverkündender Eindruck, obwohl Zarathustra … I meant to convey by means of music an idea of the development of the human race from its origin, through the various phases of its development, religious and scientific, up to Nietzsche’s idea of the Superman.’ And one of the first things to notice about Strauss’s version – which, no surprise, hammers another nail into the already doomed Dudamel interpretative coffin – is how the introduction is clean-cut and without airs. The idea to record Richard Strauss came to us during the editing of the recording of Alfred Schnittke’s Third Symphony, which the RSB and I have recorded for PENTATONE. Vladimir Ashkenazy with the Cleveland Orchestra and Andrew Litton with the Dallas SO drive the piece not to the stars but straight into a Hollywood film set; other black-hole performances, such as Neeme Järvi with the Scottish National Orchestra and Zdeněk Košler with the Slovak PO, rely on robust musicianship – but that’s not enough. For all Dudamel’s swagger, you wonder why an obvious glitch in the opening few seconds – the contrabassoonist re-attacking the low C, disrupting Strauss’s continuum of sound – was not subsequently patched. The composition of richard strauss is now worldwide royalty free (also in germany, europe...) since 01.01.2020. Complete your Bernstein*, New York Philharmonic* - Richard Strauss collection. If so, I hope he interviews well. Parallel forces of darkness and light regulate the behavioral tendencies of both man and the universe, he tells us, while Nietzsche’s belief in the concept of ‘eternal return’ posited the thought that time is cyclic. William Steinberg with the Boston Symphony Orchestra is deservedly admired and pitches up somewhere between these two extremes: juggernaut playing balanced by philosophical empathy. Stanley Kubrick certainly thought so, and used "Also Sprach Zarathustra" as a Leitmotif … Strauss plotted the compositional flight paths of his earlier tone-poems – Don Juan, Till Eulenspiegel, Tod und Verklärung – around explicit narrative markers but in Zarathustra the challenge was to transmute Nietzsche’s abstract, high-minded philosophy into musical specifics: enveloping tonal relationships, notes to be written on the stave. Trumpets trumpet unlikeable vainglorious triumphalism, while the deliberate tempo has more to do with a cinematic rather than a concert-hall experience – the words ‘A long time ago in a galaxy far, far away’ instinctively scroll down before your eyes. November 1896, Frankfurt am Main, Museumskonzert Dirigent: Richard… Kempe is full of surprises: the austere opening sections transform themselves into a violin waltz that dances with the chill of death. Also sprach Zarathustra by Richard Strauss. Elsewhere, Lorin Maazel and the VPO in 1983, André Previn and the VPO in 1988 and Georg Solti and the BPO in 1996 scoop the cream off the top of Strauss’s orchestration, giving us vacant orchestral showcases (not even particularly well played in the case of Solti’s clumsy, structurally saggy attempt). 3 John Williamson, Strauss: Also Sprach Zarathustra, (Cambridge, UK: Cambridge University Press, 1993), 57. It would be intriguing to know how many conductors approaching the piece bother to read Nietzsche’s book, because the sound and rhythms of his prose are as important to Strauss’s composition as the musical notation. But I’m handing the ultimate accolade to Andris Nelsons, whose version embodies many of Karajan’s qualities while telling us lots we didn’t already know about this inscrutable, endlessly fascinating score. Also sprach Zarathustra, Op. In the wake of Dudamel’s Berliners, Nelsons’s Brummies pump fresh air through the notes. Sinopoli’s view of the work as a slab of pure proto-modernism holds its nerve through thick and thin – bracing walls of sound and, at 37 minutes, the longest version on record. The controlled resonant echo of the recorded acoustic fits the orchestral sound like a particularly elegantly tailored glove. 30 - Tondichtung Für Großes Orchester (Frei Nach Friedrich Nietsche) (33:54) Sehr Breit — Von Den Hinterweltlern. Eine tiefergehende Analyse finden Sie hier: Interpretation "Also sprach Zarathustra" von Friedrich Nietzsche. MA Music, Leisure and Travel By 1882 he had already declared: ‘God is dead. Herbert von Karajan’s 1973 recording with the Berlin Philharmonic is so immovably etched upon the collective consciousness that this comparative essay feels almost redundant – why would you not want a part of this slice of history? And we have killed him. Richard Strauss) by Sascha Ende . comment. While on the subject of German orchestras, Ferdinand Leitner with the Bavarian Radio SO produces a languid account, and you fear John Fiore and the Düsseldorf SO are about to follow suit. Trumpets and pounding timpani announce the dawn motif, culminating in a blazing C major climax for full orchestra. Listen to Strauss - Also Sprach Zarathustra by Klaus Tennstedt & London Philharmonic Orchestra on Apple Music. International licensing, If you are a library, university or other organisation that would be interested in an institutional subscription to. Richard Strauss' iconic opening to Also Sprach Zarathustra evokes a sense of vastness and power, Marin Alsop says. And links between Also sprach Zarathustra and the Vienna and Berlin Philharmonic orchestras run deep, Strauss himself seeding ideas in 1944 that Karajan took to the moon in 1973. Karajan’s 1959 dummy run with the Vienna Philharmonic (the recording Kubrick plundered) is very much work-in-progress. Fritz Reiner returned to Also sprach Zarathustra often but it’s his 1954 recording with the Chicago SO that stands out. Addeddate 2008-06-17 01:54:00 Identifier uso20000527 Taped by Unknown Year 2000 . (Valery Hache/AFP/Getty Images) I can't imagine a … November 1896 durch das Frankfurter Städtische Orchester unter Leitung des Komponisten im Rahmen der … Monday, November 24, 2014, Strauss’s tone-poem may have been hijacked by the movies but there’s far more to the score than that famous sunrise, argues Philip Clark, as he seeks the finest recording. About Mark Allen Group Complete your Richard Strauss, Los Angeles Philharmonic*, Zubin Mehta collection. Already have an account with us? The song Also sprach Zarathustra was written by Richard Strauss and was first performed by Richard Strauss and the Frankfurt City Orchestra. Celestial woodwinds, their piquant dissonances voiced to induce fluttering harmonic interference, spacewalk towards pure B major triads as earthbound lower strings outline the fading memory of a C‑centred motif – C‑G‑C – which, 30 minutes earlier, we heard climbing like a flash of pure primary colour through the trumpet section. His obsession with detail – making literal what many conductors approximate – is clear from the first bar, where Strauss’s low-end bass instruments are blended into a perfect sonic infusion, the bass drum roll somehow ‘inside’ the sustained tones of the other instruments. Karajan’s 1973 version is definitive in a way that few recordings are: a seamless meeting of minds between composer and conductor. Download original Guitar Pro tab. Also sprach Zarathustra, once among the less frequently performed Strauss works (Stanley Kubrick’s 1968 film 2001: A Space Odyssey film did give it an immense boost), now firmly ensconced in the standard repertoire, is a tone poem, i.e., a free-form symphonic piece that either tells a story or, as is the case here, suggests the moods of a literary … Berlin Philharmonic Orchestra/Herbert von Karajan. And for German philosophy, hitherto wedded to Hegel’s ideas of linear and teleological time, this was a radical moment of departure. Buy Strauss: Also sprach Zarathustra (Cambridge Music Handbooks) by Williamson, John (ISBN: 9780521400763) from Amazon's Book Store. Which loops me back to my starting point. Interpretation "Also sprach Zarathustra" von Friedrich Nietzsche "Für meine Generation war er das Erdbeben der Epoche und seit Luther das größte deutsche Sprachgenie." Richard StraussAlso spracht ZarathustraRoyal Concertgebouw OrchestraMariss Jansons, conductor2012 We use cookies and similar tools to enhance your shopping experience, to provide our services, understand how customers use our services so we can make improvements, … 30 Richard Strauss b. Munich, Germany / June 11, 1864 d. Garmisch-Partenkirchen, Germany / September 8, 1949. Weniger Breit — Von Der Großen Sehnsucht. An organ pedal note precedes the most imposing sunrise in orchestral music. A live Böhm/BPO performance recorded at the Salzburg Festival in 1962 feels more driven and purposeful; the farewell woodwind chords depart like a delicate final breath. Nietzsche explained the universe as looping forever back on its own imprint. When civilisation collapses and man ceases to be a player, those fundamental tones will continue to vibrate, like before man ever existed; the universe forever looping back on its own imprint. Nelsons is Superman. Learn & play tab for lead guitars and bass with free online tab player, speed control and loop. Which is more than can be said for Gary Bertini and the Cologne Radio SO, patched together from two performances in different halls. Learn & play tab for lead guitars and bass with free online tab player, speed control and loop. 30) ist eine sinfonische Dichtung von Richard Strauss, frei nach Friedrich Nietzsches Also sprach Zarathustra. It's the opening full orchestral fanfare to Richard Strauss's tone poem Also sprach Zarathustra. Also Sprach Zarathustra Op. Gramophone is brought to you by Mark Allen Group Recorded in 1971, Rudolf Kempe with the Staatskapelle Dresden prioritises clarity of line and texture over the sort of structural forward thinking favoured by Krauss. Do you think that Mozart, Beethoven, Mahler, Strauss, etc. This is the most self-consciously modernist reading of the score around – even more so than Pierre Boulez’s woefully dull Chicago SO version – with Sinopoli finding Varèse-like screams and skyscraper blocks from within the Viennese excess. plus-circle … 30 (German: [ˈalzo ʃpʁaːx t͡saʁaˈtʊstʁa] (), Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical 1883-1885 novel Thus Spoke Zarathustra. Like many of his contemporaries, the young Richard Strauss was enthralled with Wagner; indeed, a number of his compositions, especially the early opera Guntram (1887-1893), reveal an intent on Strauss' part to re-create the spirit of the older composer's works. Strauss’s Also sprach Zarathustra – which recording is best? Complete your Richard Strauss - Berliner Philharmoniker, Karl Böhm collection. The insects-crawling detail of the string dominated fugue ‘Von der Wissenschaft’ (‘Of science and learning’) is nailed with precision normally associated with Bartók, and Koussevitzky unleashes waves of energetic tension as ‘Der Genesende’ (‘The Convalescent’) looms into view. The song Also sprach Zarathustra was written by Richard Strauss and was first performed by Richard Strauss and the Frankfurt City Orchestra. The tone poem is well known for the use of its opening fanfare in the film 2001: A Space Odyssey. The orchestra consists of the following: 1. woodwinds: piccolo, 3 flutes (3rd doubling piccolo), 3 oboes, English horn, clarinet in E-flat, 2 clarinets in B-flat, bass clarinet in B-flat, 3 bassoons, contrabassoon 2. brass: 6 horns in F and E, 4 trumpets in C and E, 3 trombones, 2 tubas 3. percussion: timpani, bass drum, cymbals, triangle, glockenspiel, bell on low E 4. keyboard: organ 5. strings: 2 harps, violins I, II (16 each), violas (12), cellos (12), double basses (8) (with low C string). Karajan takes the introduction at a spacious and unhurried tempo and makes devastatingly creative use of Strauss’s dynamics – he seems to be the only conductor to have noticed that the trumpets begin p and there is no crescendo! Everything about Dudamel’s performance, recorded at the Berlin Philharmonie in 2012, feels calculated and badly misjudged. Download original Guitar Pro tab. 30 at Discogs. It is a heavily jazz-funk styled rendition of the introduction from the Richard Strauss composition Also sprach Zarathustra. 4 Richard Strauss, Tone Poems: Series II (New York: Dover Publications Inc, 1979), 63. The character of Zarathustra – who descends from a decade of self-imposed retreat on a mountainside to spread hard‑fought-for wisdom – is used to build a metaphor for Nietzsche’s fleshed-out ideas about God. We introduce you to the Strauss classic, Also sprach Zarathustra, that forms part of the soundtrack to Stanley Kubrick's 2001: A Space Odyssey. Listen to Strauss - Also Sprach Zarathustra by Klaus Tennstedt & London Philharmonic Orchestra on Apple Music. This, Richard Strauss’s homage to Nietzsche, is memorable mostly for its opening. Etwas Ruhiger, Ausdrucksvoll — Von Der Wissenschaft. Strauss lifts our head into the stars as a slipstream of glistening woodwind cuts through the earth’s crust, and the next moment our listening perspective crashes down to earth and Richard meets Johann, a sepia dream sequence in a Viennese ballroom, a low-down vernacular dance form waltzing through the heavens – a moment where the mass thins out in favour of an individual voice symbolising Nietzsche’s concept of the Übermensch, a ‘superman’ who will transcend humans as humans transcended apes. Zentren: Berlien, Wien Merkmale: Vergrößerung des Orchesters Programmmusik Cover Richard Georg Strauss per Klavier per Gitarre Remix This isn’t flawless. His trumpet line slips the semitone from E natural to E flat, and minor tonality is momentarily allowed to eclipse the C major of Zarathustra’s mountain sunrise, as Strauss summons the music of the spheres. B. endet jede Rede mit einem "Amen" der besonderen Art: "Also sprach Zarathustra." Friedrich Nietzsche . When Karajan went for a remake in 1983, again with the BPO, the fire had snuffed itself out: textures and dynamics are homogenised and inertia hangs heavy. Only when the rest of the orchestra enter does the dynamic level rise to f. Karajan plays that accented forte for all its worth – and the diminuendo to p and back again. Stream songs including "Also Sprach Zarathustra Op.30: Einleitung (Opening)", "Also Sprach Zarathustra Op.30: Von der Hinterweltlern (Of the Backworldsmen)" and more. Also Sprach Zarathustra Weiterverwendung Epoche Film Spätromantik Odyssee im Weltraum WALL-E Die Simposns Komponist 1870 bis ins 20. Also Sprach Zarathustra, Op. Richard Strauss - Also sprach Zarathustra Piano Tutorial "Also sprach Zarathustra" (Thus Spoke Zarathustra) is a symphonic poem by German Romantic composer Richard Strauss (1864-1949). The University of Chicago, conducted by Barbara Schubert, performs Richard Strauss' 'Also Sprach Zarathustra' in the 2000 Cathy Heifetz Memorial Concert. We're listening to a recording by the New York Philharmonic conducted by … And the instincts of the musically literate must be to explain a composer’s extra-musical programme in terms of music, which in the case of Richard Strauss’s 1896 tone-poem Also sprach Zarathustra leaves us listening through two-way harmonic glass: the white-note harmony of C reflected against the distant borderland five sharps of B major. C major represents the natural world and the universe, whilst B major represents humanity. Zentren: Berlien, Wien Merkmale: Vergrößerung des Orchesters Programmmusik Cover Richard Georg Strauss per Klavier per Gitarre Remix Richard Strauss’s Also sprach Zarathustra was inspired by eight chapters from Friedrich Nietzsche’s famous philosophical treatise of the same name. DG’s lame cover art – Star Wars-on-a-budget imagery of far-flung galaxies – raises fears that are soon enough realised by Dudamel’s veritably Alan Partridgean unveiling of Strauss’s mountain sunrise. Get the The Flaming Lips Setlist of the concert at Clyde Theatre, Fort Wayne, IN, USA on August 16, 2018 and other The Flaming Lips Setlists for free on setlist.fm! A word to the wise: if you’re going to patch two organs together, best make sure their tunings match. The recorded sound is little better than functional and dynamic levels become smudged. Also Sprach Zarathustra Weiterverwendung Epoche Film Spätromantik Odyssee im Weltraum WALL-E Die Simposns Komponist 1870 bis ins 20. Richard Strauss' iconic opening to Also Sprach Zarathustra evokes a sense of vastness and power, Marin Alsop says. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. Product ID OP4051. Discover releases, reviews, track listings, recommendations, and more about Bernstein*, New York Philharmonic* - Richard Strauss - Also Sprach Zarathustra at Discogs. Reviews But then, what an opening! Discover releases, reviews, track listings, recommendations, and more about Richard Strauss, Los Angeles Philharmonic*, Zubin Mehta - Also Sprach Zarathustra at Discogs. 3 Zarathustra.5 Charles Youmans sees the work as an even looser Nietzschean interpretation. Rewind nearly 70 years to 1944 and, with the Vienna Philharmonic, you hear Richard Strauss himself deploying a not dissimilar interpretative strategy. And a piece that could lock so much diametrically opposed material inside a musical structure was indeed prescient. When lead violinist Michel Schwalbé begins to waltz, Karajan indulges in atom-splitting rubato and unearths another mislaid detail: a little harmonic glissando from another solo violin helps Schwalbé fly. 4 Psalm 96:1. In 1958 Karl Böhm recorded his version in the same venue, Jesus-Christus-Kirche in Berlin, as Karajan, and with Michel Schwalbé leading. The BPO attack with a rougher grain than the VPO but Koussevitzky finds a greater emotional range than Strauss can muster. Also Sprach Zarathustra Rundfunk-Sinfonieorchester Berlin . This recording not endorsed or affiliated with the University of Chicago or any of it's staff. The Concertgebouw Orchestra first performed Richard Strauss’ Tod und Verklärung on 30 October 1898. If Solti is faulty, Strauss needs Krauss. Jack of Oz 21:13, 23 April 2011 (UTC) Support. Jack of Oz 21:13, 23 April 2011 (UTC) Support. Discover releases, reviews, track listings, recommendations, and more about Detroit Symphony Orchestra, Antal Dorati - Richard Strauss - Also Sprach Zarathustra • Macbeth at Discogs. This is a refreshingly individual reading: the fugal sections are academic and austere, but there’s a surprise as the waltz section turns decidedly macabre, with more than a hint of Saint-Saëns. Everyday low prices and free delivery on eligible orders. Richard Strauss.